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Originally scheduled for the 2020 Cinemalaya, David Corpuz’s sophomore feature Seperate/Separate has been on our radars since early 2020.Ĭorpuz’s previous films include the portmanteau romance film, Anatomiya ng Pag-Ibig (2015), and the beguilling short, The Ordinary Things We Do (2014). We’ve covered this film in an episode of Pervision, where we went as far as calling it as one of the better films to have come out this year.Ĭheck out the episode and the trailer for the film below.
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The film tells the story of an immigrant Filipina transwoman (played by Sandoval herself) who works as a caregiver for a Russian family in Brooklyn. Though it made its Philippine premiere in 2019 and had its release in the US via Netflix in 2020, my hopes are high for a wider release of Isabel Sandoval’s Lingua Franca. Upstream teased the film as part of their roster during the 2020 Metro Manila Film Festival. Joshua Garcia topbills as the main character, Galo. Roño, a fitting choice for such a popular horror story like Mama Susan. The film adaptation is helmed by Chito S. Elsewhere, a cult is at work for a day of reckoning. Interestingly, the film has made its Philippine premiere last year during the 2020 QCinema International Film Festival, so my fingers are crossed for a wider theatrical release this year.īased on the 2010 Bob Ong novel, Ang Mga Kaibigan Ni Mama Susan follows a college student who, in his journal, details strange encounters he’s regularly facing. Like his previous film, Smaller and Smaller Circles, this new coming-of-age drama is set in the 90’s, following a ragtag group of young’uns killing time during summer.
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Probably my most anticipated film of the year, Death of Nintendo looks like a full-180 for Raya Martin, who’s known for darker, more experimental works like Autohystoria (2007), Independencia (2009) and How to Disappear Completely (2013).
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Read on for the full list of Filipino movies we want to see in 2021: And even if 2021 is poised to be a weird year for moviegoing (or perhaps even weirder than 2020), there are titles that I’d be happy to see, hopefully in theaters, but one can only cross their fingers. Everything carries on, most especially film release cycles, global pandemics be damned. Though vaccinations are underway, a utopic “great return” to some sort of normalcy feels exactly like that-a utopia, a promise that at this point feels as lofty as living in a reality with hovercars and a fully intact planet.
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To anticipate, let alone make an entire list of my most anticipated films is absurd, especially after what we’ve all collectively gone through last year. Could Ishak be next on the list, or is he the man responsible? Tracking down his more ‘unsavoury’ allies, Serena is shocked to encounter a familiar face: that of her grieving ex-partner, former Malaysian ICD officer Megat Jamil (Bront Palarae).It’s strange to think about upcoming movies. As Serena and Heri work together to catch the killer, their inquiries lead them to industrialist/kingpin Datuk Ishak Hassan (Wan Hanafi Su), whose prominent family and known associates all have some connection to the victims. Seeking answers, Heri finds a way to insert himself into the Malaysian investigation. Meanwhile, in Jakarta, for ICD Lieutenant Heriyanto Salim (Ario Bayu), the case turns personal when his brother is found murdered in similar circumstances. Called in to investigate, Singaporean International Crimes Division (ICD) officer Serena Teo (Rebecca Lim) takes charge of a case across the border where a family has been slaughtered aboard a luxury yacht in Johor.
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A series of brutal murders, each sharing a signature MO, takes place across Malaysia and Indonesia.